Thursday, February 11, 2016

The Birth of Boomer and a New Producer

"This is love. These people loved me. I loved them. I didn't pretend to feel something so I could screw people over. I loved them. And then I betrayed them. I shot a man I loved. Frakked over another man, ruined his life. And why? Because I'm a lying machine. I'm a frakking Cylon!" - Sharon "Boomer" Valerii, Battlestar Galactica

I've never wanted to be a producer—not when I started burlesque, not when I did theatre in college.  In fact, when one of my roommates became a producer for Much Ado About Nothing and the other became the A.D., I helped them out while asserting that I be called "Head Minion" and not "Assistant Producer".  However, as my burlesque (and now drag) journey has revealed, "never" is not actually a permanent term.

Joining the Tuesday Tease production team changed my perspective.  As a producer, I could give back to the community and help provide space for marginalized voices.  Plus I had ideas (and extant producers already had plenty of their own).  I needed a lot of guidance before I was ready to produce, but I also wanted the crew to be aware that I wanted to be more involved.  Therefore when the idea that I co-produce a nerdy Tease with Lillith Grey came forth, I knew it would be time…time for Dawn of the Nerd.  *cue dramatic music*

By Brandy Lynne Photography
www.brandylynnephotography.com
That didn't make the task any more daunting, especially since I wanted to perform too.  Had my routine been anything other than "Birth of Boomer", I probably would have shelved it.  That's because "Birth of Boomer" was a Battlestar Galactica-inspired reverse striptease.  If I performed first and came with hair and make-up ready, I could exit already dressed and ready to step into the boots of a producer.

Ever since I saw Battlestar Galactica, I wanted to dance to the soundtrack.  Bear McCreary's use of percussion just stirs up something inside of me.  I never got to do my belly dance routine to one of his songs, but now I could do a burlesque tribute.

My other inspiration was Stormy Leather's Cylon act.  Her embodiment of a Cylon's dual nature—mechanical and organic, threatening and sexy— really blew me away.  Although it can be easy to fall into the trap of imitating those you admire, I made sure to focus on my vision, which took a different approach to another Cylon character.

By Brandy Lynne Photography
www.brandylynnephotography.com
A reverse strip made the most sense to what I wanted to portray: Cylon resurrection and the creation of the sleeper agent Sharon "Boomer" Valerii.  Bear's music is so primal yet the series takes place in the future—another dichotomy I wanted to portray.  I also decided to make the glowing spine to add a sexy touch to the routine and a reveal.  The tutorial I followed probably did not intend for the wearer to be dancing around nearly nude, and I wound up with more wires than I would have liked.  However, I'm proud of my prototype, as well as the final product that is "Birth of Boomer".

While all of this was happening, I was booking acts for the show.  Lillith helped with the logistics, but I had to come up with the line-up.  I realized that I didn't know as many performers and acts as I had thought and that I might have gone a little too specific with the post-apocalyptic theme.  After experiencing some cancellations, I thought maybe the show was cursed, but I learned that this is the struggle of all producers.

At a show, there's a lot of little things going on backstage that you don't notice until it's your job.  I'm not just talking about the activities of stage kittens and tom cats.  You have to coordinate with the sound person, the host, the stage manager, and the venue.  Also, lists are your best friend.  Next time I'll definitely more prepared.

Despite a couple of hiccups, the show went well.  "Birth of Boomer" was probably an odd opener because people expect clothes to be taken off and it is a more serious number.  However, the Battlestar Galactica fans enjoyed it, and I had fun. 


I was bummed about not being able to celebrate afterward, but I was immensely thankful for all the performers giving 110% out there, the crowd for their enthusiastic support, Friskey Business for managing backstage, and Lillith for her guidance.  While producing is still a scary job to me, I'm willing to give it a shot again.  Before that happens, you can catch me (and my drag clone Tony Fo-Hawk) back at Tuesday Tease next week with all-new routines:


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